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"The greatest irony of John Waters' career is that he has ended up loving and being loved by Baltimore, the town he initially tried to infuriate. From being the most disgusting filmmaker in the world, Waters has become something of a local hero, venerated for bringing an element of glitter into an area not known for its star-spangled potential" - Mark Kermode
“It is all part of the lowball-punk-fuck-it-who-cares-and-who's-gonna-know-anyway ground rules of the Baltimore aesthetic” - Gus Van Sant
Focus Film: Desperate Living ('97)
Other Films: Female Trouble ('74), Cecil B. Demented (2000), Serial Mom ('94) Polyester ('81)
Topic: Social/political/cultural issues
Research methodology: internet, books, magazines and documentaries :)
(Shock Value: A tasteful book about bad taste)
"The greatest irony of John Waters' career is that he has ended up loving and being loved by Baltimore, the town he initially tried to infuriate. From being the most disgusting filmmaker in the world, Waters has become something of a local hero, venerated for bringing an element of glitter into an area not known for its star-spangled potential" - Mark Kermode
“It is all part of the lowball-punk-fuck-it-who-cares-and-who's-gonna-know-anyway ground rules of the Baltimore aesthetic” - Gus Van Sant
- Hag in a Black Leather Jacket (8 mm) (1964)
- Roman Candles (1966)
- Eat Your Makeup (16mm) (1968)
- Mondo Trasho (16mm) (1969)
- The Diane Linkletter Story (16mm) (1969)
- Multiple Maniacs (16mm) (1970)
- Pink Flamingos (16 & 35 mm) (1972)
- Female Trouble (16 & 35 mm) (1974)
- Desperate Living (16 & 35 mm) (1977)
- Polyester (1981)
- Hairspray (1988)
- Cry-Baby (1990)
- Serial Mom (1994)
- Pecker (1998)
- Cecil B. Demented (2000)
- A Dirty Shame (2004)
Focus Film: Desperate Living ('97)
Other Films: Female Trouble ('74), Cecil B. Demented (2000), Serial Mom ('94) Polyester ('81)
Topic: Social/political/cultural issues
Research methodology: internet, books, magazines and documentaries :)
(Shock Value: A tasteful book about bad taste)
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